Design Considerations

Primary Design Considerations
To ensure the success of a project, the first guideline you should consider is communication. By showing your layouts to an experienced stamping supplier early on, you can avoid production pitfalls later. Because foil stamping and embossing use different techniques than conventional methods of fixing an image to a surface, here are some general considerations a designer should observe.

  • Typesetting. In general, larger text sizes work better than smaller.  "Fill in" is a term used to describe bridging between the open areas of a character, or between two characters, which affects the legibility of the text and overall appearance.  However, copy sizes that are too large present problems on textured stocks, with "air entrapment" that can cause the foil to not adhere to portions of the desired area.  Finally, because typefaces generally appear bolder when foiled, don't track or kern too tightly.  It is a good rule of thumb to set type loosely and with more leading than you might ordinarily consider.
  • Solids and Fine Lines. If you are designing large solid areas of foil as well as fine detail in the same piece, expect to make two passes with the press.  For a quality stamp of areas designed with intricate detail, be sure the space between the lines in the design is no less than half the thickness of the stock you are using.
  • Foils and Laser Printers. Although many foils have a wide temperature range, not all foil can be successfully run through a laser printer. Depending on both the operating temperature of the printer's fuser roller and the foil's temperature tolerances, consideration must be given when producing foil stamped materials intended for laser imprinting. In addition, use caution if selecting dry, textured parchment and recycled stocks because the low adherence properties of many of these stocks can cause the foil to release, crack, peel, or dull under the heat extremes of a laser printer.  If in doubt, ask your foil stamper for a test sheet for you to run through the printer.
  • Registration. If the design calls for tight registration of foil to print, foil to foil, or UV coatings and varnishes, consult with your stamping supplier for production specifications.  Unlike offset printing, foils with tight registration are "kiss fit" or butted to the image(s), so do not use trapping techniques on artwork next to or inclusive of foils. Tight registration also may require additional production charges.
  • Stock and Foil Color. Because many pigment, pastel tint and pearl foils are translucent, their color can be altered dramatically by the color of the underlying stock.

Stock Selection
Your choice of paper stock also may affect the final foil appearance. Papers such as 25% cotton, 100% cotton, vellum, laid stock, and other porous papers will dull certain foils. The solution is to communicate to your stamping supplier the stock you've selected so he can order a metallic foil formulated for that specific stock. Check with your printer to determine the dyne count (surface tension) of a sheet when laminated. The dyne count should be higher than 40 for the sheet to be foil stamped.

  • Recycled Stock. The use of recycled stocks has become quite common, so there are some considerations worthy of mention.  Due to high compression levels of recycled fiber, stamping large areas requires significantly more tonnage, or pressure, applied by the stamping press compared to virgin fiber stock.  Because of this fact, often a foil will not appear as mirror-like, and fine lettering or detail presents a greater challenge because of compression inconsistencies.  In addition, because of the abrasive, fibrous nature of these stocks, die life is shortened, often resulting in loss of detail or additional cost.
  • Dark-Colored Stock. As opacity levels vary with different foil pigments, resulting colors and contrast may not be acceptable when applied to dark stocks.  This is not only true of translucent pastel and light foils, but with high-gloss pigments as well.  Check with your stamping supplier to achieve best results.
  • Suitability of Stock. The chart below provides a general guideline of suitability for foil stamping, embossing, and use of holographic foils. 

   

R Recommended
S Suitable
N Not Suitable
N/A Not Applicable

      

Bonds/Writing

EMBOSSING FOIL STAMPING HOLOGRAPHY
Cotton Fiber

R

R S
Sulphite S R R
Duplicator S R S
Mimeograph N/A R S
Carbonless N/A N/A N/A

      

Coated Books/Covers

EMBOSSING FOIL STAMPING HOLOGRAPHY
Cast Coated S R R
Gloss Coated S S R
Matte/Dull S R R
Textured S S N
Coated Two Sides S S R

   

Uncoated Books/Covers

EMBOSSING FOIL STAMPING HOLOGRAPHY
Smooth/Wove R R S
Vellum/Antique R R S
Parchment S S S
Hard-Textured R R N
Soft-Textured R S N
Duplex R R S

   

Miscellaneous

EMBOSSING FOIL STAMPING HOLOGRAPHY
Bristol R R S
Coated Board S S S
Uncoated Board R R S
Pressure Sensitive S S S
Gummed S S N
Newsprint N N N

   

 

Welcome
Environment
The Design Animal Inside You
Basics
Foil
Embossing
Combination
Holograms & Patterned Foil
Special Applications
Design Considerations
Selecting a Supplier
Production Techniques 
Preparing Artwork
Ordering Dies
Glossary
Terms & Symbols

 

 

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